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Adobe PDF met digitaal watermerk | April 2018 |
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This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era.
Specificaties
- Auteur
- Thomas Christensen, Gerard Geay, Penelope Gouk, Markus Jans, Joel Lester, Marc Vanscheeuwijck
- Uitgever
- Universitaire Pers Leuven
- ISBN
- 9789461660978
- Formaat
- Adobe PDF met digitaal watermerk
- Publicatiedatum
- April 2018
- Bestandsgrootte
- 16607741 bytes
- Taal
- Engelstalig
- Aantal Pagina's
- 205
Beschrijving
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era.
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Specificaties
- Auteur
- Thomas Christensen, Gerard Geay, Penelope Gouk, Markus Jans, Joel Lester, Marc Vanscheeuwijck
- Uitgever
- Universitaire Pers Leuven
- ISBN
- 9789461660978
- Formaat
- Adobe PDF met digitaal watermerk
- Publicatiedatum
- April 2018
- Bestandsgrootte
- 16607741 bytes Kb
- Taal
- Engelstalig
- Aantal Pagina's
- 205
