The signature style of Frans Hals (e-Book)

painting, subjectivity, and the market in early modernity

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Christopher D.M. Atkins

Adobe PDF | Maart 2014 |

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Beschrijving

This richly illustrated study is the first consider the manifold functions and meanings of Halss distinctive handling of paint. Atkins explores the uniqueness of Halss approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artists style. The book seeks to understand the multiple levels on which Halss consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.

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Specificaties

Auteur
Christopher D.M. Atkins
Uitgever
AUP Wetenschappelijk
ISBN
9789048514595
Formaat
Adobe PDF
Publicatiedatum
Maart 2014
Bestandsgrootte
17992637 bytes
Taal
Engelstalig
Aantal Pagina's
326

Beschrijving

This richly illustrated study is the first consider the manifold functions and meanings of Halss distinctive handling of paint. Atkins explores the uniqueness of Halss approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artists style. The book seeks to understand the multiple levels on which Halss consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.

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Specificaties

Auteur
Christopher D.M. Atkins
Uitgever
AUP Wetenschappelijk
ISBN
9789048514595
Formaat
Adobe PDF
Publicatiedatum
Maart 2014
Bestandsgrootte
17992637 bytes Kb
Taal
Engelstalig
Aantal Pagina's
326

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